In my confidence in my own resources, I would willingly have taken Herbert’s expenses on myself; but Herbert was proud, and I could make no such proposal to him. So he got into difficulties in every direction, and continued to look about him. When we gradually fell into keeping late hours and late company, I noticed that he looked about him with a desponding eye at breakfast–time; that he began to look about him more hopefully about mid–day; that he drooped when he came into dinner; that he seemed to descry Capital in the distance, rather clearly, after dinner; that he all but realized Capital towards midnight; and that at about two o’clock in the morning, he became so deeply despondent again as to talk of buying a rifle and going to America, with a general purpose of compelling buffaloes to make his fortune.

I was usually at Hammersmith about half the week, and when I was at Hammersmith I haunted Richmond, whereof separately by and by. Herbert would often come to Hammersmith when I was there, and I think at those seasons his father would occasionally have some passing perception that the opening he was looking for, had not appeared yet. But in the general tumbling up of the family, his tumbling out in life somewhere, was a thing to transact itself somehow. In the meantime Mr. Pocket grew grayer, and tried oftener to lift himself himself out of his perplexities by the hair. While Mrs. Pocket tripped up the family with her footstool, read her book of dignities, lost her pocket–handkerchief, told us about her grandpapa, and taught the young idea how to shoot, by shooting it into bed whenever it attracted her notice.

As I am now generalizing a period of my life with the object of clearing my way before me, I can scarcely do so better than by at once completing the description of our usual manners and customs at Barnard’s Inn.

We spent as much money as we could, and got as little for it as people could make up their minds to give us. We were always more or less miserable, and most of our acquaintance were in the same condition. There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. To the best of my belief, our case was in the last aspect a rather common one.

Every morning, with an air ever new, Herbert went into the City to look about him. I often paid him a visit in the dark back–room in which he consorted with an ink–jar, a hat–peg, a coal–box, a string–box, an almanac, a desk and stool, and a ruler; and I do not remember that I ever saw him do anything else but look about him. If we all did what we undertake to do, as faithfully as Herbert did, we might live in a Republic of the Virtues. He had nothing else to do, poor fellow, except at a certain hour of every afternoon to “go to Lloyd’s”—in observance of a ceremony of seeing his principal, I think. He never did anything else in connection with Lloyd’s that I could find out, except come back again. When he felt his case unusually serious, and that he positively must find an opening, he would go on ’Change at a busy time, and walk in and out, in a kind of gloomy country dance figure, among the assembled magnates. “For,” says Herbert to me, coming home to dinner on one of those special occasions, “I find the truth to be, Handel, that an opening won’t come to one, but one must go to it,—so I have been.”

Yours, as ever and always,

Quincey P. Morris

26 May

Count me in every time. I bear messages which will make both your ears tingle.

Art

24 July. Whitby.—Lucy met me at the station, looking sweeter and lovelier than ever, and we drove up to the house at the Crescent in which they have rooms. This is a lovely place. The little river, the Esk, runs through a deep valley, which broadens out as it comes near the harbour. A great viaduct runs across, with high piers, through which the view seems somehow further away than it really is. The valley is beautifully green, and it is so steep that when you are on the high land on either side you look right across it, unless you are near enough to see down. The houses of the old town—the side away from us, are all red-roofed, and seem piled up one over the other anyhow, like the pictures we see of Nuremberg. Right over the town is the ruin of Whitby Abbey, which was sacked by the Danes, and which is the scene of part of “Marmion,” where the girl was built up in the wall. It is a most noble ruin, of immense size, and full of beautiful and romantic bits. There is a legend that a white lady is seen in one of the windows. Between it and the town there is another church, the parish one, round which is a big graveyard, all full of tombstones. This is to my mind the nicest spot in Whitby, for it lies right over the town, and has a full view of the harbour and all up the bay to where the headland called Kettleness stretches out into the sea. It descends so steeply over the harbour that part of the bank has fallen away, and some of the graves have been destroyed.

In one place part of the stonework of the graves stretches out over the sandy pathway far below. There are walks, with seats beside them, through the churchyard, and people go and sit there all day long looking at the beautiful view and enjoying the breeze.

I shall come and sit here often myself and work. Indeed, I am writing now, with my book on my knee, and listening to the talk of three old men who are sitting beside me. They seem to do nothing all day but sit here and talk.

The harbour lies below me, with, on the far side, one long granite wall stretching out into the sea, with a curve outwards at the end of it, in the middle of which is a lighthouse. A heavy seawall runs along outside of it. On the near side, the seawall makes an elbow crooked inversely, and its end too has a lighthouse. Between the two piers there is a narrow opening into the harbour, which then suddenly widens.

It is nice at high water, but when the tide is out it shoals away to nothing, and there is merely the stream of the Esk, running between banks of sand, with rocks here and there. Outside the harbour on this side there rises for about half a mile a great reef, the sharp of which runs straight out from behind the south lighthouse. At the end of it is a buoy with a bell, which swings in bad weather, and sends in a mournful sound on the wind.